Textliste englisch | textlist english

{title animation with ECG curve}
MBC-FILMPRODUKTION {with signature}
{title} presents
{title} a film
{title} by a filmmaker


{title} (opening short)
{title} Self-Portrait with Chandelier

Narrator (MB): (off)
This is the emergency ward of the IKK hospital in Berlin-Neukölln. It's almost midnight.


{tagline} IKK-hospital, Berlin-Neukölln, 11:52 p.m.

Narrator (MB): (off)
A patient has just been brought in. An ordinary case. For the physicians a case just like any other. But the police were informed and an army of private detectives and reporters fills the room.

Nurse: Stop, don't come any further. - Please no photos, no pictures. - Stop! No.

Narrator (MB): (off)
A catastrophe has occurred in a Berlin film studio. Of course you will read about it in tomorrow's newspaper. - Radio and TV will report on it. Because - the media itself is involved in this case.

Paramedic: ...one two three - lift!


{intertitle} E.C.G.1.0.1
{intertitle} The Self-Portrait of a Filmmaker in Broadcast and Artistic Media

Surgeon: (off) No, this doesn't make sense.

Surgeon: Please hold him down again, and increase Dormicum 5ml.


{tagline} IKK-hospital, 11:54 p.m. (11:55 p.m.)

Narrator (MB): (off)
A catastrophe has occurred in a Berlin film studio. - Radio and TV will report on it. Because... the media itself is involved in this case.

Nurse: I'm sorry, ladies and gentlemen, you're not allowed to film in here. - Please leave. No, I'm sorry. - Please leave. No photos, no pictures. I'm sorry. You can't!

Narrator (MB): (off)
Before everything is blown up and distorted by the tabloids and broadcast media, I think you'd rather hear the real state of affairs. - A young man is lying on the operating table in this emergency room. He has a slight bleeding in the brain and grave internal injuries. - Nobody important. Just a minor filmmaker, who made a couple of experimental films and second-class scripts. - The poor dreamer. - He always longed for public attention and when he finally got it he had to pay a high price.



Narrator (MB): (off)
Let's turn back the wheel of time, to six months ago, the day when it all began. - I was living in a furnished room in the city centre and I wasn't in a good state. I'd just received a rather big film grant for a small script, but I didn't know at all, how to begin the film. I was just sitting around, torturing myself, trying to find an original beginning.

Narrator (MB): (off)
But it didn't work out for me. The beginnings were not original enough or maybe even too original.

MB: Hello?

Telephonist: Good afternoon, this is WDR Broadcasting Corporation. Just a moment, I'll connect you.

TL: Hello.

MB: Yes, Brynntrup here, how are you.

TL: Good afternoon, this is Tim Lienhardt. I'm a TV journalist from Cologne and... I know... your films. In recent years I've seen a couple of them at Berlinale, and I'm very impressed and curious to meet you, so I can profile you for our arts program.

MB: Really? For TV?

TL: For TV, indeed. It's WDR-TV in Cologne. - And it'll be a portrait of you.

MB: Sounds good... so what's your plan?

TL: First, a question: Are there already any portraits of you? Because...I don't want to do what's been done before.

MB: No, never. - Nobody's made any portraits before. Fine.

TL: Well, here's the plan: I'll visit you in Berlin with my crew. - I think maybe in your apartment, it doesn't matter.

MB: That's fine, yes. Here in my apartment, good.

TL: Yes, we settle in, and set up the tripod and camera. - I'll sit next to it and interview you.

MB: Yes, good.

TL: Can we do it like that?

MB: Yes, sure.

TL: Ok, I'll call you again. I'm often in Berlin.

MB: Ok. When will it happen?

TL: As soon as possible.

MB: I'll wait for your call.

TL: Great.

MB: Ok, I'm looking forward to it.

TL: Me too.

MB: Ok, bye.

TL: Yes, cheerio.

Narrator (MB): (off)
At this very moment I got the idea of how to begin my film. Perhaps it wasn't the most original idea, but certainly good enough for a start.


{intertitle} three weeks later

MB:
A TV crew is coming to my place today, to do the first-ever report on me for German TV.
I must say I'm quite nervous and excited
and have a little headache.
But this is clear:
If they film me, then I'll film them.


{intertitle} If TV shoots me, then I'll shoot TV!

MB: Hi! Two cameras rolling, right?

TVT: Should I look into the camera?

MB: Wow, what a big camera!

MB: Go on in. We can do it in there.

TL: Everything will be recorded right from the beginning.

MB: Ok, good. It's a bit narrow in here, but...


{intertitle} The TV crew visits the filmmaker in his flat.

MB: We can do it, right?

TVT: Yep, we can get it done!

MB: Ok, super!


Narrator (TL): (off)
The filmmaker was living in a furnished room, torturing himself, trying to find an original beginning.

Narrator (TL): (off)
The poor dreamer. He always longed for public attention and when he finally got it... he had to pay a high price.

TL: We are ready.

MB: Really?

TL: We're ready when you are.

MB: Okay.

MB: Is it okay to sit like this?

TVT: Yes, fine.

MB: Is it rolling?

TL: Is it rolling?

TVT: Yes, it's already rolling.

TL: Good, so we can begin.

MB: ok.

TL: Michael, let's begin with a quick bio. Born, education, just so we know... Who is this Michael Brynntrup? Just the basics.

MB: Beginning -oh my god- always these beginnings. Where to begin?

TL: (off) With your birth.

MB: With my birth. - Born in 1959 - going on 37 years ago... and...

MB: ...and then it just happened that I became a filmmaker, finally.



Cameraman: (off) Rolling!

MB: (off) Action!


{superimposition} TTV {Logo}

TTV-Reporter: We're back, live from IKK hospital in Berlin. TTV, live on location!

TTV-Reporter: The operation has been going on now for over an hour. This is -we assume- because the injuries might be rather serious. No statements are being given by the PR spokespersons of the hospital.


{superimposition} TTV on the spot

TTV-Reporter: Right now we'll try to get a direct comment from one of the head surgeons.

MB: mhm

TL: (off) Do you know shame?

MB: Ja, mhm. - I have to make a short comment, -well- here is where the film has its narrative gap. -eh- excuse me for a few moments. I'll be right back,... as soon as the film continues.

MB: Am I making it short enough?

TL: Let's return to shame...

MB: Shame.

TL: I'm quite sure that the viewers -because of the filmclips we show them- think: that's quite shameless! For example a clip from The Statics: you filmed yourself sleeping, with rising and falling erections, right?

MB: Yes, it's obvious that the TV picks these sensational clips. But one has to realize that these images appear in the context of a 20 minute film. And I really prefer to show these films in their entirety. Excerpts lie, don't they?

Spr: (off) Lover in Bathing Trunks: the Filmmaker Michael Brynntrup.

TV Announcer: For many viewers of TV and cinema, independent film is indigestible...


{tagline} SAT.1 Regional Report / Baden-Württemberg

TV Announcer: ...or even trash. - But these little pearls of screen-culture are quite appealing and attract an enthusiastic audience.


{tagline} Report / Claus Hanischdörfer

Narrator (CH): This is the first time that in this new cinema the pearls of independent film flicker on screen.

Narrator (CH): The program again offers a view beyond the conventions of cinema.

Narrator (CH): For the average couch potato, it's often indigestable.

TTV-Reporter: (off) ...the operation has been going on for about one hour here at IKK hospital. Can you share the latest news with the public? - How is our patient doing?


{tagline} Excerpt from / "E.C.G.1.0.1"

Surgeon: Well, of course... we are still assessing the situation. But I'm sure in about one or two hours, we'll know more.

TTV-Reporter: At least another one or two more hours...

Narrator (CH): Besides the films there are several lectures and media art exhibitions. At the Künstlerhaus you can see work by Michael Brynntrup: painter, filmmaker and photographer.


{tagline} Michael Brynntrup / Media Artist

MB: Each media has it's specific possibilities and peculiarities, and therefore I like... to work with many media, because... each is specific and unique.

Narrator (CH): "New Media" will be included for the first time at the upcoming Stuttgart Filmwinter Festival

CH: First question: your project 'Heart.Instant/iation', what is it about?

MB: Yes, um, where to begin? I've told you before: I'm long-winded.

CH: Fine.

MB: In a few words: I made a Polaroid of myself and scribbled on it, then I photocopied, enlarged it... and then I noticed that many generations -one after another- came up. And then I decided to develop it as an artpiece. And then I began to produce different generations in different media. - So that's how it originated.

MB: So that's how it originated.

TV Announcer: Well, that's something different.


{title} (Once again, from the top)
{title} Self-Portrait with Chandelier

TTV-Reporter: (off) Go! Get his face! I want it all, everything! - Facts, pictures! Zoom in! Extreme close-up! - Don't spoil the shot! Get really close!

Nurse: Careful! - Stop, don't come any further. - Please no photos, no pictures. - Sorry! - Stop! My apologies...


{tagline} (IKK hospital, Berlin, five minutes to midnight.)

Paramedic: ...one two three - lift!

Surgeon: (off) Can you hear me? - Call the anaesthesiologist! - How's his blood-pressure?

Paramedic: (off) 80 over 40, falling fast!

Surgeon: We'll need CT afterwards. Call the neurosurgeons. - Check his blood-pressure again. - Blood-pressure?

Paramedic: 60 over 40, still falling.

Nurse: (off) Intubation?

Surgeon: Wouldn't make any sense. We'll make an incision. - Have the Suprarenin ready. Prepare a dose immediately. Prepare the needle, stat! And Ventanyl for the narcosis.

Nurse: Okay.

Surgeon: (off) Tell me... have the neurosurgeons called? -

Nurse: (off) No they havn't.

Nurse: (off) Dormicum, 5 in 10 ml....

Nurse: Soon you'll fall asleep. Think of a pretty picture... maybe a painting... or a flower bouquet or a pretty landscape. Or just think of a marvellous film. You'll see, it's no big drama. - Ok, start counting to ten, very slowly...


{intertitle} E.C.G.1.0.1
{intertitle} The Self-Portrait of a Filmmaker in Broadcast and Artistic Media


{intertitle} (Epilogue)
{intertitle} Being Queer as a Commissioned Work

{textmotif} Short Circuit, The TV Magazine. - #74.

woman (off):
Short Circuit, Short Film. - Short Circuit, The TV Magazine.
Gay Cinema is especially important in the USA. But today, there are also many European film festivals dedicated to gay and lesbian film.


{title} TV-X-perm.

{singsong} arte

{textmotif} What does 'Gay Film' mean anyway?

woman (off):
Since the early 80s, Brynntrup has been working in the fields of art and experimental film. What does it mean for him, to be a gay filmmaker?

MB:
I'm Michael Brynntrup, a gay filmmaker, from Berlin.


{title} Michael Brynntrup's Gay Self-Portrait for arte-TV

MB (off) :
I'm Michael Brynntrup, a gay filmmaker from Berlin. Actually I'm not a gay filmmaker because I make gay films, - Ok, I also make gay films, and yes, there is a gay aesthetic too, but a gay filmmaker I am, because I'm gay.


{title} X-perm.

{singsong} arte


{intertitle} You have seen a film by, with, and - about the filmmaker.
{intertitle} For general information on film and TV, please refer to the following programs.

{intertitle} End of Film
{intertitle} www.endedesfilms.de





{translation: Odette Buss, Wayne Yung}



Abbreviations:
TL = Tim Lienhardt
CH = Claus Hanischdörfer
MB = Michael Brynntrup